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In the first instance the radicalization of ambiguity in Empson's seventh type hovers on the verge of acknowledging that indeterminacy of meaning characterizes poetic language. The signifying values ​​of a structure of undecidability, oscillating between figure and ground, can no longer be settled by an Appeal to the formal properties of the text which, in being at once itself and other to itself, cannot resolve its own contradictions; it can only, to borrow de Man's word, 'name' them (p. 237). The text has become Empible's evasion of his own insight,By reducing the verbal uncertainty to a reflection of division in the author's mind, will not stand up to scrutiny for , on his own terms, the text's representational or mimetic power is reduced to only one mode of signification: an arbitrary bewilderment. Ambiguity has become more than a contradiction; it is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its The own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to Represent any experience except the experience of its own divisiveness and unreadability.It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the Experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability.It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the Experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability.s power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability .s power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability. It is the condition which undermines the text's power to transmit a complex meaning or to represent any experience except the experience of its own divisiveness and unreadability . If this is indeed the case, we are now in a position to perceive that the seventh type of ambiguity is not essentially different from the case of Empson's first example of 'bare ruined choirs'. There the numerous meanings evoked were said to 'combine' , and ambiguity was a condition of the reader's response - 'not knowing which of them to hold most clearly in mind'. Combination, no less than the failure to combine most clearly in mind'. Combination, no less than the failure to combine, rests with the reader. Which Empson subscribes) all literary language is 'ambiguous', ie indeterminate, then the differences between type seven SEO Leeds and type one are only minor differences of degree - both types being subject to the same structure of understanding - so that the question of the Mediating,Constitutive role of a reader returns with renewed urgency.Empon's belief that any contradiction is likely to have some sensible interpretation contriving the association of opposites reinforces the need to assign a role to the reader. Yet on this issue Empson remains at his most characteristically New Critical He recoils from the possible breakdown of a formalist view of the text as an objective 'piece of language'. His retreat from the edge of the abyss of indeterminacy and unreadability to which his theory of the text's ambiguity has led, and his reluctance to Engage with psychological criteria or any other reader-response Theory, are inscribed in a footnote which gives some indication of how far afield Empson's speculations were willing to roam, yet also betrays an entire tradition's proclivity for Good Sense joined to a distaste for theorizing and philosophizing:Yet on this issue Empson remains at his most characteristically New Critical: he recoils from the possible breakdown of a formalist view of the text as an objective 'piece of language'. His Retreat from the edge of the abyss of indeterminacy and unreadability to which his Theories of the text's ambiguity has led, and his reluctance to engage with psychological criteria or any other reader-response theory, are inscribed in a footnote which gives some indication of how Far afield Empson's speculations were willing to roam, yet also betrays an entire tradition's Proclivity for Good Sense joined to a distaste for theorizing and philosophizing:Yet on this issue Empson remains at his most characteristically New Critical:He recoils from the possible breakdown of a formalist view of the text as an objective 'piece of language'. His retreat from the edge of the abyss of indeterminacy and unreadability to which his Theories of the text's ambiguity has led, and his reluctance to Engage with psychological criteria or any other reader-response theory, are inscribed in a footnote which gives some indication of how far afield Empson's speculations were willing to roam, yet also betrays an entire tradition's Proclivity for Good Sense joined to a distaste for theorizing and philosophizing </ br>






















Are inscribed in a footnote which gives some indication of how Far afield Empson's speculations were willing to roam, yet also betrays an entire tradition's proclivity for Good Sense joined to a distaste for theorizing and philosophizing:His retreat from the edge of the abyss of indeterminacy and Unreadability to which his theory of the text's ambiguity has led, and his reluctance to engage with psychological criteria or any other reader-response theory, are inscribed in a footnote which gives some indication of how Far afield Empson's speculations were willing to roam, yet also Betrays an entire tradition's proclivity for Good Sense joined to a distaste for theorizing and philosophizing:Yet also betrays an entire tradition's proclivity for Good Sense joined to a distaste for theorizing and philosophizing:Yet also betrays an entire tradition's proclivity for Good Sense joined to a distaste for theorizing and philosophizing:SEO Leeds It may be said that the contradiction must somehow form a larger unity if the final effect is to be satisfying. But the onus of reconciliation can be laid very heavily on the receiving end. One could, of course, also introduce much philosophical puzzling about the The German tradition in the matter seems ultimately based on Indian ideas, best worked out in Buddhism. But I daresay there is more than enough theorizing in the text here already.